Following the arrival their record Twenty Mule Team, the band won’t host a release show until mid-April… nearly three months after the album dropped. “I think the greater-Boston-area scene is so full and rich with talent, but even pre-pandemic, it’s often felt like there are more musicians than there are venues, or even audience.”īoston art-rock vets Bat House are feeling the squeeze of oversaturation around the city, too. “I found myself reaching out to venues I’d never played, some of which perhaps weren’t the right vibe for my music, and then having to give info on draw (from before the pandemic) that I wasn’t even sure was accurate anymore,” DeSilva adds. Others simply hop in a van and bring their music to other cities. Artists like DeSilva have to explore show options at venues that feel too small, too large, or too distant from their genre of music. Less than two years later, musicians are feeling the repercussions. While some new venues grace the scene - Faces in Malden, Crystal Ballroom in Somerville, and Roadrunner in Brighton - performance oversaturation remains an issue around town.Īs Vanyaland detailed in late 2020, without enough mid-sized venues, a major piece of the Boston music ecosystem is missing. But a lack of options is only the first half of the problem the second half is that the same amount of musicians are seeking out performance spaces, further skewing the venue-to-musician ratio in Boston. ![]() Following the closure of Great Scott, Thunder Road, The Milky Way, Bull McCabe’s, Wonder Bar, and ONCE Ballroom & Lounge (which will return this summer to Boynton Yards), musicians find themselves with far fewer choices for booking shows. As Boston’s live music scene comes back into full swing, its cultural losses from the COVID-19 pandemic become even more apparent.
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